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In conversation with Charles Campbell, Michaëlle Sergile’s and Dawit Petros for ReMIX History Panel II: Allegories of the Present, a virtual panel accompanying the exhibition Stan Douglas: Allegories of the Present at Griffin Art Projects

The Animal Seems to Be Moving, a solo exhibition on view at Centre CLARK, opening on October 27 and running until November 26.

Gloria, July 23, 2018, from the series, “A Welcome Weight on My Body,” on view in the group exhibition, As We Rise: Photography from the Black Atlantic from September 7 to November 19, 2022 at the University of Toronto Art Centre

Muscle Memory, exhibition catalogue now available through the Art Gallery of Hamilton

JULY 2022
Commenced new position as Assistant Professor of Photography in the School of Image Arts at The Creative School, Toronto Metropolitan University.

Muscle Memory, reviewed by Stephanie Vegh for Akimbo

Suck Teeth Compositions (After Rashaad Newsome), on view in a permanent collection exhibition in the contemporary galleries at the National Gallery of Canada, Ottawa, Ontario

In conversation on ethics and vulnerability with host and founder Savanah Dodds on The Photo Ethics Podcast

Juror for the Exposure 2023 International Open Call exhibition – submissions open until September 1

JUNE 2022
An Artist’s Video Choir Tells a Story about Black and Queer Visibility, an interview by Kerry Manders, published online by Aperture Magazine.

MAY 2022
Afro Pick (2021), from the series “The Animal Seem to Be Moving,” on view in the group exhibition There are no parts from May 9 to June 26, 2022. Also featuring the work of Nydia Blas, Widline Cadet, and Jasmine Clark, this exhibition is part of Crossings: Itineraries of Encounter, the 2021–22 Lightbox Program at The Blackwood Gallery, University of Toronto, Mississauga.

Curated the outdoor exhibition, Shine On: Photographs from The BIPOC Photo Mentorship Program, a feature exhibition of the CONTACT Photography Festival. Presented from May 1 – 31 by Doors Open Toronto in partnership with The BIPOC Photo Mentorship Program, CONTACT, and ArtworxTO: Toronto’s Year of Public Art 2021–2022.

APRIL 2022
Relevant Permission A Conversation between Michèle Pearson Clarke and Lou Sheppard, published in “Grief,” the Spring 2022 issue of C Magazine

MARCH 2022
In conversation with Vanessa Kwan, artist, curator and Program Director at grunt gallery; Cait McKinney, Assistant Professor of Communication at Simon Fraser University, and Liss Platt, media artist and Professor of Multimedia at McMaster University on March 8 for Bad Singers: A Conversation on Michèle Pearson Clarke’s Quantum Choir.

Muscle Memory, a solo exhibition on view at the Art Gallery of Hamilton, opening on February 12 and running until September 5. This exhibition will be my largest installation to date, and comprises both a new four-channel video and sound work, Quantum Choir, 2022 and a selection of photographs from the ongoing series, The Animal Seems to Be Moving, 2018-present.

“Making a statement about queer female masculinity by raising voices — and wrinkles,” Muscle Memory reviewed by Sue Carter in The Toronto Star.

In conversation with Canisia Lubrin, Péjú Oshin, and Pamela Woolford on January 22 for Deconstruction of Being, a symposium presented by the University of Manitoba School of Art Gallery and Patterns Collective.

Suck Teeth Compositions (After Rashaad Newsome)
on view in the exhibition The Politics of Sound at Two Rivers Gallery in Prince George, BC, opening January 20 and running until April 10, 2022.