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Muscle Memory, a solo exhibition on view at the Art Gallery of Hamilton, opening on February 12 and running until May 23. This exhibition will be my largest installation to date, and comprises both a new four-channel video and sound work, Quantum Choir, 2022 and a selection of photographs from the ongoing series, The Animal Seems to Be Moving, 2018-present.

In conversation with Canisia Lubrin, Péjú Oshin, and Pamela Woolford on January 22 for Deconstruction of Being, a symposium presented by the University of Manitoba School of Art Gallery and Patterns Collective.

Suck Teeth Compositions (After Rashaad Newsome)
on view in the exhibition The Politics of Sound at Two Rivers Gallery in Prince George, BC, opening January 20 and running until April 10, 2022.